OT: 13 February 1926 – A. MacPherson “Toarluath and Crunluath Movements in Piobaireachd”

The Oban Times, 13 February, 1926 Toarluath and Crunluath Movements in Piobaireachd Inveran Hotel, Invershin, Sutherland, 3 February, 1926 Sir,–Mr. Seton Gordon has clinched the above discussion in such a way that I venture to think we shall not hear much more about the subject, and now that Toarluath and Crunluath movements have been so […]

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OT: 6 February 1926 – John Grant [“Toarluath and Crunluath Movements in Piobaireachd”]

The Oban Times, 6 February, 1926 [Toarluath and Crunluath Movements in Piobaireachd] Edinburgh, 16 January, 1926 Sir,–In Mr. Gray’s letter of 16th January he says that he finds no proof in my last letter that Angus Mackay’s noting of the above movements is correct. I say again that the correct method of performing Toarluath and […]

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OT: 6 February 1926 – Gleannach “Toarluath and Crunluath Movements in Piobaireachd”

The Oban Times, 6 February, 1926 Toarluath and Crunluath Movements in Piobaireachd Glencona, Southside Road, Inverness, 23 January, 1926 Sir,–With reference to the correspondence now passing to the columns of your paper, I wonder whether any one of the many nowadays interested in bagpipe music can throw some light on the construction and spelling of […]

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OT: 30 January 1926 – Seton Gordon “Toarluath and Crunluath Movements and Piobaireachd”

The Oban Times, 30 January, 1926 Toarluath and Crunluath Movements and Piobaireachd Achantoul, Aviemore, 22 January, 1926 Sir,–I have read with interest the correspondence upon the playing of the Toarluadh and Crunluadh notes. We are all, I think, agreed that the playing of Ceol Mor is an art that has been handed down from one […]

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OT: 23 January 1926 – William Gray “Toarluath and Crunluath Notes in Piobaireachd”

The Oban Times, 23 January, 1926 Toarluath and Crunluath Notes in Piobaireachd Glasgow, 16 January, 1926 Sir,–From Mr. John Grant’s letter in your issue of 16th inst., I do not find any proof that Angus Mackay’s noting in his book of the Toarluath and Crunluath notes is correct. Mr. Grant says–”The correct method of playing […]

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